February 3, 2021
Metallics 2
When I created my first Metallics, it was important to me to quickly move the idea from concept to reality.
After creating more pieces, I began looking at how two or more might be juxtaposed as a composition, or whether a single fragment might work alone. I also considered the practicalities of presenting the work as finished pieces – both framed and unframed. Ultimately, I decided to frame the Metallics, but in an unconventional way. I dispensed with the usual window mount. Instead, I used the space inside the frame as a compositional canvas. I moved pieces around, photographing them in different combinations and used different method of attaching them to a background. These included using haberdashers’ pins as a functional and decorative element, and sewing pieces and background papers together.
Above: initial juxtapositions of Metallic fragments
The arrangements showed that the shadows around the pieces added an interesting extra dimension. This led me to increase the distance between the pieces and the background using poly board. In turn, the poly board effectively suggested the use of pins to attach the pieces. Initially though, I intended to push the pins right down, to leave only the heads on the surface. However, as I attached the pieces, it occurred to me that the pins might become an active part of each arrangement by remaining proud of the surface.
Similarly, sewing into fragments and joining them together became another element involved in each piece. The physical binding together of physical objects brought to mind metaphors around human fragility, impermanence or of struggles to escape, either of body or mind. Also, the use of Metallics is an important element in these works. The glittering, warm colours and the attractive patina give each piece the appearance of something (or someone) with an inherent value that is worth preserving or protecting.
Above: a Metallic piece sewn onto paper using multi-colour metallic thread
Above: further finished pieces
Future work will examine ways of presenting these works. In parallel with plans for my Flexures, I will be experimenting with invisible methods of attaching the Metallics to walls or ceilings. I have been invited to exhibit my Flexures, Metallics in a show planned for early 2022, and a variety of methods may be required for the gallery setting.
I began working with a Worcestershire gallery in October 2020. A number of Metallics have already sold through the gallery.
Sinclair Ashman, February 2021
